Frightening Strikes

Christmas has always been fertile ground for horror. Beneath the decorations, rituals, and goodwill lies a holiday steeped in darkness and uneasy folkloric tradition. Filmmakers take advantage of that contrast, using festive familiarity to heighten unease rather than offer comfort. The films below span decades and subgenres, from slashers and folklore to bleak psychological slow burns, each finding its own way to corrupt seasonal cheer. Whether cynical, brutal, or quietly unsettling, these are horror films (in no particular order) that understand the power of turning reassurance into threat — and why Christmas can feel more frightening than joyful. 1. Black Christmas (1974) During the Christmas break, a group of sorority sisters begin receiving obscene phone calls that slowly escalate into something far more dangerous. As police investigate a missing student, the house becomes the centre of an unseen and increasingly menacing threat. Black Christmas lays it on the line with chilling a...

Good Boy begins with a quietly unsettling image: Indy, the titular good boy, watching over his owner Todd, who lies unconscious with blood trickling from his mouth. Flickering lights and static from the TV unsettle Indy, who senses that something isn’t quite right. Todd’s sister, Vera, arrives just in time to call an ambulance, but the strangeness of the moment lingers. The Foundation of the Film The film then shifts into a montage of Indy growing up alongside Todd—a warm glimpse into their bond that lays the foundation for everything that follows. It’s this connection, communicated almost entirely through behaviour rather than dialogue, that becomes the emotional core of the film. Once Todd is discharged from hospital, he insists on retreating to their late grandfather’s isolated countryside home, hoping the change of scenery will restore some sense of normality. Vera warns him against it, worried about his health and uneasy about the house, which she describes as “creepy” and possib...

December’s horror slate is a bit thin this year, but there are still a couple of standouts worth keeping an eye on. As the festive season kicks in, audiences can expect a mix of yuletide terror and chilling thrills — from blood‑soaked holiday mayhem to tense, atmospheric scares. While the selection isn’t as packed as other months, these releases (including t wo sequels and a re-make)  promise to inject a little seasonal fear into your Christmas celebrations, proving that even the most cheerful time of year isn’t safe from horror. Wishing you a joyful Christmas and a happy New Year. Troll 2   When a massive new troll awakens in the depths of the Norwegian wilderness, it triggers a wave of destruction that plunges the country into crisis. Paleontologist Nora Tidemann is pulled back into the fray, joining seasoned troll-hunter Kristoffer “Kris” Holm to uncover what sparked the awakening — and how to stop this force of nature. As it grows more dangerous, the team must confront ...

Strange Harvest is a mockumentary-style found-footage film that follows a police investigation into a series of brutal murders in a San Bernardino suburb. The story is presented through interviews, recovered footage and TV news clips, beginning with the discovery of a local family killed and arranged in a manner that confounds the police and horrifies the community. As detectives look into the case, they uncover links to earlier murders carried out by an unidentified killer known as “Mr Shiny.” Mr Shiny Returns Progress is slow and the police hit a series of frustrating dead-ends, while Mr Shiny continues his reign of terror and taunts them with cryptic notes filled with obscure phrases and references to “Kaliban” and other cult-like curiosities. Interviews with two former detective partners — Lexi Taylor and Joe Kirby — help shape the film’s account of how the investigation unfolded. Their perspectives gradually introduce hints of something more ritualistic beneath the surface and su...

Before I Wake opens with a tense, unsettling scene that immediately establishes the stakes. A distraught man enters a child’s bedroom with a gun, seemingly moments away from shooting the sleeping boy, only to be interrupted at the last moment. It’s an arresting start that sets up the film’s blend of mystery and emotional unease. Rebuilding Lives We then shift to Jess and Mark, a married couple dealing with unimaginable grief after the accidental death of their young son. Hoping to rebuild their lives, they decide to foster a child. Their first placement is Cody, an eight-year-old boy whose background is patchy at best: his mother died when he was three, and both of his previous foster placements ended with the unexplained disappearance of one or both guardians. Jess attends a support group in an effort to work through her grief, while Mark prefers to manage his privately, but the couple seem united in their desire to provide Cody with stability and regain a sense of normality for all ...

After waking up in the basement of an unfamiliar apartment building, Joni begins searching for her missing sister, Emily. Along the way, various tenants warn her that she isn’t supposed to be there, and she’s pursued by a menacing, shadowy figure. Her curious arrival — and the search that follows — takes her through the building floor by floor, with each level introducing a new tenant and a new horror. As she ascends, she’s exposed to the frailties, fears, and insecurities of its inhabitants . A Wraparound Journey Tenants is a horror anthology that uses Joni’s journey as a wraparound narrative, linking seven stories about people undone by their personal demons. The segments vary in tone, mixing emotional drama, dark comedy, and supernatural elements. Among them are “Acting Rash,” in which a struggling actress’s vanity takes a grotesque turn; “Hoarder,” centred on grief and self-imprisonment; “Do You Need Something,” a twisted, funny tale of domestic irritation between roommates tha...